Showing posts with label #stories. Show all posts
Showing posts with label #stories. Show all posts

Monday, September 9, 2013

@DeannaJewel shares Contests on Blog Tour!

Do you read
Historical Romance?

     Join Deanna Jewel on her blog tour and win gift cards! She's having a Grand Prize drawing and FOUR winners will each receive a $25 gift card plus a chance to win at each blog tour stop. When you click the link below, you'll also find the dates and links to each stop!

Monday, May 20, 2013

Meet paranormal/vampire author, YL Parker!

Y. L. Parker
Paranormal Author

     Thank you for stopping in to meet this week's author! If you love paranormal reads and vampires, you're in for a treat. Her interview will post in a few days so do return to learn more about her!
     YL Parker was born and resides in  North Carolina. She has been a teacher for over 18 years. She has always loved stories ever since she was a young girl; she wrote screenplays for ten years and now has brought her storytelling to books. She has BA in English and a MA in Teaching and Learning with Technology. 




      This novel is set in San Juan County, Washington. Hillary Hermes was once the most feared alchemist of her time. She awakens in this time as Hillary Somers, her memory is gone, and all of her inherited powers are trapped inside the body of a frail, timid, teenager who’s filled with doubt. Time has transported her through the line of the Somers Witches. Lovers are caught in the war between vampires and witches.

Monday, May 13, 2013

Meet Award Winning Romance Author, Meg Mims! Contest Alert!


Meg Mims
Romance Author
       This week's author is going to take us back in time to attend a banquet at the Ebner Hotel in Sacramento, California 1869 to get us ready for her books, so we hope all of you have dressed for the occasion. If not, step over to our dressing room and find a gown that fits. I know we'll all look fabulous.
      At the bottom is Meg's Contest so do leave a comment with your email addy and e-book format to be in. Here's a sample of the gowns and the menu for the ball!
 
 
 
 
 
 
 
 
 
 
 
 
 
  

Reader’s Haven: Meg, what a wonderful party! We know everyone will have a great time. *spreading our fans for the gentlemen) Tell us a bit about yourself...Your gown is beautiful, by the way.


Meg: Thank you! I thought a ball would be fun. I’m an artist in watercolor, acrylic and pen/ink media. I find it very relaxing! 

Reader’s Haven: What made you want to become a writer?

Meg: When I first started reading the Boxcar Children mysteries, I knew I wanted to write my own stories. I did a lot of reading first - and waited till I was married with a baby to start.

Reader’s Haven: Please share a bit about your new release, Double or Nothing, without giving away any spoilers.



Meg: The book is the sequel to my Spur Award-winning novel, Double Crossing. Lily Granville finds herself in more trouble when her guardian announces her engagement to a hand-picked suitor. But she is in love with Ace Diamond, the Texan renegade who saved her life on the journey to California — a man her uncle is determined to keep away at all cost. Ace is just as determined to prove himself worthy of Lily’s hand, but is framed for murder after a dynamite explosion. Will Lily be able to save him from the hangman’s noose?

Reader’s Haven: Do you write under a pen name?

Meg:  Meg Mims is my pen name. I use “Meg” in memory of my niece who was killed in an automobile accident.

Reader’s Haven: That's a warm gesture and a way to honor her memory. What types of hero or heroine do you like best?


Meg:  I love a heroine who is independent and intuitive with plenty of courage.  I prefer a hero who isn’t totally alpha nor totally beta -- a mix of both is best! Ace is pretty gruff, and comes across as a real mercenary when Lily first meets him, but he has a heart of gold.

Reader’s Haven: Tell us about a typical day in your life as a writer.


Meg:  I’m ruled by my dogs! They get me up at 7 a.m., I let them out, feed/water them, then the cat, before my own breakfast and coffee. Then I get busy writing and catching up on mail and social media -- in between all the trips outside/back inside, barking at squirrels or the mailman, trucks, etc. It’s not quiet, that’s for sure. They let me know what they want! Even my poor husband comes second.

Reader’s Haven: Do your books have a common theme or are they all different?


Meg:  Pretty much solid mysteries. Even the short novellas I’ve written have a touch of intrigue going on, so I guess that’s what I love best. Justice must be served in the end.


Reader’s Haven: How long does it take you to write and then edit a story?


Meg:  I used to write a first draft in six months, then edit for a few more. Now I’m trying to get a first draft down in half that time, as long as it’s quality work, and edit for another month. Whew.



Reader’s Haven: Do you have to be alone to write?



Meg:  I prefer it, but it doesn’t usually happen! There’s either a cat, a dog or two, or my husband, the TV blaring, the phone ringing... I often put my headphones on and listen to music while I write.


Reader’s Haven: How do you go about naming characters?

Meg:  The characters usually introduce themselves, LOL. Either in my head, or I get a sense if a certain name is right or not. Lily in the Double series was first Julia, but she really didn’t like that name. Then she became Caroline - nope. Finally Lily seemed to fit. Ace was always Ace due to his poker-playing, and he wouldn’t tell ME his Christian name until Lily asked him.

Reader’s Haven: Is it easier to write about the characters if you find pictures of them before you write or do you write then find character pictures?


Meg: Usually I have the character in mind with their traits, and then photos “cement” them into place for deepening their characters. I used the silent screen actress Mary Miles Mintner for Lily, and the 1970s actor Pete Duel for Ace - both had tragic lives, so I felt I was giving them a “fresh” chance to find a happier ending. Here's a blurb for each book:

DOUBLE CROSSING ... August, 1869: Lily Granville is stunned by her father’s murder. Only one other person knows about a valuable California gold mine deed — both are now missing. Lily heads west on the newly opened transcontinental railroad, determined to track the killer. She soon realizes she is no longer the hunter but the prey. As things progress from bad to worse, Lily is uncertain who to trust—the China-bound missionary who wants to marry her, or the wandering Texan who offers to protect her … for a price. Will Lily survive the journey and unexpected betrayal? 

DOUBLE OR NOTHING ... October, 1869: Lily Granville finds herself in more trouble when her guardian announces her engagement to a hand-picked suitor. But she is in love with Ace Diamond, the Texan renegade who saved her life on the journey to California — a man her uncle is determined to keep away at all cost. Ace is just as determined to prove himself worthy of Lily’s hand, but is framed for murder after a dynamite explosion. Will Lily be able to save him from the hangman’s noose?


Reader’s Haven: How do you pick locations for your stories?

Meg: That always comes first when I have an idea, before the characters. With the Double series, I was inspired by Charles Portis’ True Grit, plus the movies, and the premise of “girl’s father is killed, she decides to track down murderer.” But I twisted it to make Lily a sheltered, wealthy 19-year-old, fairly naive, who travels on the newly opened transcontinental railroad instead of a horse. Ace is Rooster Cogburn and LaBoeuf rolled into one, with his own quirks. In Double or Nothing, California plays a big role, so I researched the setting before deciding on the story’s premise.     I'd like to share an excerpt if I may:

1869, California
I jumped at a screeching whistle. Men swarmed over the distant slope like bees over a wax honeycomb in a mad scramble. “Good heavens. What is that about?”
Uncle Harrison pulled me out of harm’s way. “They’re almost ready to begin the process of hydraulic mining,” he said and pulled his hat down to avoid the hot sun. “You’ll see. This is far better than panning for gold in a creek bed.”
“I can already see how destructive it is, given the run-off,” I said, eying the rivulets of dried mud that marked each treeless incline. “I’ve read about how the farmers can’t irrigate their fields and orchards due to the gravel and silt filling the rivers—”
Water suddenly gushed from two hydraulic nozzles in a wide, powerful stream. The men’s bulging arm muscles strained their shirts, their faces purple with the effort to control the water. I turned my gaze to the ravaged earth. Mud washed down into the wooden sluices, where other men worked at various points to spray quicksilver along the wide stretch. Others worked at a frantic pace to keep the earthy silt moving.
An older man with a grizzled goatee and worn overalls held out a canteen. “Have a sip while you’re waiting, miss,” he said. “A body gets mighty thirsty out here.”
“Thank you.”
I sipped the cold, refreshing ginger-flavored liquid that eased my parched throat. Dirt from the canteen streaked my gloves. Not that it mattered. At least the spatters of fresh mud wouldn’t show on my black mourning costume and riding boots. Two days of rain earlier in the week had not helped.
The kind man offered the canteen to Uncle Harrison, who brushed it aside with a curt shake of his head. Steaming, I bit back an apology. The man had already headed back to his position near the sluices.
Bored of watching the ongoing work, I wandered over to several horses that stood patient in the sun and patted their noses. A tooled leather saddle sat atop one gelding’s glossy brown hide, and the silver-studded bridle looked as rich. The horse gave a low whicker in greeting. If only I’d pocketed a few carrots or sugar lumps from breakfast.
“You’re a beauty. I wish I could ride you for a bit.”
The gelding’s ears dipped forward. One of the men left the knot of others in a huff. His dusty open coat swung around him as he stalked, spurs jingling, and closed the distance. He passed by me with a mere tip of his wide-brimmed hat and untied the reins. The horse pawed the ground, jittery, as if sensing the man’s foul mood while he mounted. I noted his scowl. Was he upset that I’d dared touch his property? A scruffy beard and thick black mustache hid his mouth. He rode off, keeping the gelding’s gait easy, down the gully toward the Early Bird’s entrance.
“Who was that?” I asked a miner.
The worker wiped sweat from his forehead with a sleeve. “Señor Alvarez? He’s got a burr under his blanket as usual. Pay him no mind, miss.”
I rubbed the remaining horse’s flank and glanced around the mining site. My uncle continued to chat with the foreman close to the shack near the head of the sluices. Another section of the wooden troughs was raised from the ground further north at a different bank of earth. My curiosity increased. I walked to the sluice and stared down at the filth in the bottom. No glints of gold flecked the bits of rock and slag. I had no idea what quicksilver looked like either. This whole business seemed crazy, although Uncle Harrison disagreed.
In the distance, pines smudged the lower half of the Sierra’s tiny white-capped peaks. To the west, gray clouds threatened the pale blue sky. No doubt rain would soak everything again by morning. My uncle had mentioned how winter was wetter here than back home in Chicago, or even St. Louis. I hadn’t known what to expect for autumn in California. Now that it was close to October, the stands of golden aspen on a ridge high above sported various shades of green, gold and hues of orange.
Homesickness overwhelmed me. I longed to see the brilliant shades of orange, red and yellow oaks, the thick forest of elms and birches behind my father’s house in Evanston. To ride along the shoreline of Lake Michigan’s navy waters, and watch the snow falling fast on a chilly winter’s day. I wouldn’t even mind listening to Adele Mason’s endless chatter about the latest dinner parties she attended with her many beaus.
It seemed like an eternity since I’d crossed two thousand miles of prairie and mountains on the Union and Central Pacific railroad. Donner Lake had resembled a sapphire jewel nestled among pristine snow fields. Perhaps it was frozen already.
I shivered, remembering the darkness of Summit Tunnel. It also brought back the delicious memory of feeling safe, nestled in Ace’s strong arms. Feeling the sudden shock when his tongue sought my own…
“Miss? It’s dangerous standin’ that close to the sluice. Over yonder is best.”
Guilt flooded my heart. Nodding to the man, I twisted around and glanced in the direction he indicated. My uncle remained at the shack. “Will they ever stop talking business?”
“Doubt it.” The miner was the same one who’d offered me water earlier. He carried a roll of canvas slung over a shoulder. Shrugging, he swiped his muddy goatee and cheek against his burden’s nubby surface. “Reckon they’ll yammer on for a while more.”
“Thank you. I’ll be careful.”
“Sure thing, miss.”
He passed by and handed the canvas to a pair of men. They unrolled it and laid the fabric inside the wooden sluice. I walked across the shifting ground, trying to avoid the worst of the mud’s damp patches. One claimed my uncle’s shoe when we arrived that morning. I fought hard not to laugh aloud, watching Uncle Harrison hop about on one foot, so comical with his blustery red face. At last a worker retrieved his shoe, mud up to his elbow, half his face coated as well. My uncle had not thanked the man for the rescue, either.
On higher ground, two workers held long snaking hoses that spurted water at the high bank. Two others sprayed quicksilver over the sluice. It didn’t look like anything but dirty water. I sighed. This entire trip had been a waste of time. Uncle Harrison resented the questions I’d peppered the foreman with and ignored my opinions on how the operation damaged the countryside. Why had he suggested I tag along in the first place?
I should have stayed back in Sacramento. My sketchbook drawings needed work. I had yet to finish anything I’d glimpsed during the journey on the train. Etta had brought all my watercolor supplies from Evanston, and most of my books too.
But I didn’t want to read or paint. A deep melancholy robbed me of energy. Nightmares haunted my sleep, of the deep ravine and the lizard I’d caught, of the sandy slope I climbed on Mt. Diablo, desperate to escape my father’s killer. Of being trapped, with no way out, and facing death, and of seeing that shocked surprise… and hearing the gunshot.
Self-defense, as Ace claimed. My uncle and the sheriff agreed.
Poor Ace. He’d felt bad afterward, forced into a cowardly deed. I had never shot anything except a badger with Father’s Navy revolver. Missed, too. But I’d tried to protect my darling pet lizard’s clutch of eggs in the garden back home. The thought of shooting a human being turned my stomach. I suppose stabbing someone wasn’t any less of a sin. Heavy guilt weighed on me. Had it been self-defense? I shuddered at the memory.
As Mother used to say, it was water under the bridge. Nothing I might say or do now would change the past. But I’d rather avoid making such a horrible choice again.
Instead I trudged toward the shack. The foreman held a large piece of blueprint paper between his hands while my uncle pointed at various sections. Two other men argued with them, their heated words carrying over the whooshing of hoses and creaks and jolts of skeleton wagons over the rutted ground. Most of their argument was peppered with technical jargon that didn’t make any sense. Even Chinese sounded more familiar.
“We haven’t made enough headway,” said a man in a tailored suit, whose gold watch chain glinted in the sun. “I say we dig out the ridge all the way.”
“You take that ridge down any more than we have and we’ll never get equipment to the furthest point of the claim, over here,” my uncle said and prodded the map. “That was Alvarez’s advice. He knows this land better than you, Williamson.”
“I agree, it’s too dangerous,” the foreman said.
 “I’m the engineer! Are you implying I don’t know my business?”
“I’m saying it’s stupid to undermine that ridge. You’re being a stubborn coot.”
“You’re a fine one to call me stubborn—”
Good heavens. I reversed direction and headed back toward the sluice. They were sure to argue for another few hours. I wanted to ride that horse, even if it meant hiking my skirts to my knees and baring my ankles. The poor animal looked like it a good run, or at least a trot over the rough ground. I had to do something productive or I’d go mad.
Steering around the same boggy patch of mud, I cut close to the sluice. A blood-curdling yell halted everyone. I whirled to see the entire bank of earth, a huge avalanche of mud, rocks and two large trees root-first, rushing straight for me.

          Website       Blog    FaceBook     Double-Series FB Page   Pinterest  


Twitter:  @MegMims

CONTEST:  On Saturday, May 18th, Meg will pick one commenter to win the e-book, Double or Nothing! Leave a comment with your email and e-format you need. Thank you all for stopping in!


Sunday, April 7, 2013

Interview with the lovely romance author, Charmaine Gordon!


     Welcome to our Haven! This week we have an author who has become a great friend and that is so precious. Charmaine, welcome! It's a pleasure to have you with us. Our readers are thrilled to meet new authors. Tell us a bit about your amazing background!
 
Charmaine: Thank you so much for having me as your guest. Your site is very nice here! A bit about me...I have years of experience as an actor on daytime drama. Stage, spokesperson and commercials plus writing sketches for Air Force shows helped prepare me for the wonders of a writing career. Of course, I didn't realize it at the time when immersed in the written words of others, that I was like a sponge, soaking up how to construct a scene, write dialogue, and paint the setting.
      My writing effort came later when I wrote a two page story, sent it to son, Paul who commented, "Cool. Can you write ten pages?" Seemed impossible but the story poured from my fingers and seventy thousand words later, I typed The End.
      I kissed my acting career goodbye, leaving on a high note with the lead in an Off Broadway play, "The Fourth Commandment" author Rich Knipe. It was great fun and time to move on. Movies like "Working Girl", "Road to Wellsville" and having the pleasure of Anthony Hopkins company at lunch, working with Mike Nichols in "Regarding Henry" and singing outside with Harrison Ford, crying with Gene Wilder over loss on another set, When "Harry Met Sally" with the whole gang singing It Had to Be You. Lots of fond memories. My first job as stand-in leg model for Geraldine Ferraro in a Diet Pepsi commercial with Secret Service men guarding her and her daughters. A sweet time.
 
RH: Wow! That is a wonderful background. Your stories reflect your talent! Readers, here's an excerpt from one of her books and be sure to check out her newest release, The Catch!
 
Here’s a blurb from one of my faves, Reconstructing Charlie.

     Charlie Costigan has a secret. Home life gone from bad to the worse when she protects her mother from another vicious attack by her drunken father. Midnight. Clothes thrown into an old suitcase, she races for the bus with a letter to an unknown aunt and uncle. 'This is my daughter. Embrace her as if she were your own.'
     Determined, Charlie begins again. Alone with her secret. 
     After I wrote The End, two secondary characters came to perch on my shoulders and complain. “How about us? Tell our story. “ I caved and began the process all over again with Sin of Omission. “A lie by any other name is still a lie” to paraphrase Shakespeare.
     My favorite scene from this book is where Shelley Jackson finally tells the truth in the presence of her lover, Jimmy Costigan and her best friend, Charlie, Jimmy’s sister.
     “Charlie, you accepted me as a friend and roommate but how would you feel if I were to marry your brother and bring color into the lily white home of your Aunt and Uncle. I’ve been there. So pristine and perfect. I envied your life and all the love they have for you.” She took another deep breath and reached for the twins in Jimmy’s arms. He relinquished them so readily it made her pause and when he again refused to meet her eyes, her mind moved on. Maybe their father didn’t want them after all. “That’s about all except to say I’m sorry. I’ve committed a sin of omission by not coming clean. If you can find it in your hearts to forgive me, we can work it out. Ball’s in your court.”

Monday, March 25, 2013

Meet NEW Author, Grayson Michaels!

Grayson Michaels
Fiction/Paranormal

     Thank you for stopping in to meet a new author, Grayson Michaels. He's a multi-genre author who spends his day job keeping people and their homes safe from fires! Yes, ladies...he's a fireman! His first book will be release SOON and is a bundle of short rescue stories about his fellow first-responders. Future books are being compiled and formatted as we speak and they'll be in the paranormal genre! Get comfy and let's get started!

RH:  Tell us a bit about yourself.

Grayson:  I am a multi-genre writer that has grown up in the inland NW my entire life. Much of my life has been through a pen, and ending in the paper. I absolutely love the paranormal and the ‘Unknown’ parts of life. I often reflect of things that can happen but haven’t quite yet. I’m often spontaneous, and can hope from genre to genre with as quick as the muse lets me. I’m a very open person and enjoy meeting new people and making new friends. I do have a background in EMS/Firefighting, as well as some background in law enforcement.
 
RH:  What made you want to become a writer?

Grayson:  What sparked my interest to become a writer was 6th grade. I was going through a very tough time, dealing with a divorce that made no sense to me. I had turned to reading as a way to escape everything. That’s when I found my love for Michael Crichton, and his novels. It wasn’t too long after that, is when I started writing. During the same time period as a class we were doing a unit on the solar system. The teacher had asked all of us to do a story about the solar system, and the fact we had to write a short story and visit all of the planets. She said that there’d only been one other student that had accomplished that. By time I’d finished mine, I had gotten to read it in front of the class and got an A on the project. After that, my love for writing bloomed and all through Junior High and High School I stayed pretty grounded by either drawing comic strips with a few friends of mine, or I wrote short stories in between by studies in class. 

RH:  Please share a bit about your new release OceanView without giving away any spoilers.

Grayson:  The book that is getting ready to come out is called OceanView. This is my first published novel and am quite excited about it. This novel has been about eight years in the works and is a continuous story. The story itself revolves around the Police/Fire/EMS workers in the city of OceanView, California. Having previous experience in Fire/EMS I thought it would be neat to take on a project like this. Little did I know that this little project would eventually become my first book. The story of OceanView deals more with the the personal relationships of the cop , firefighters, and EMT’s the city more-so than the actual job. Now, that’s not to say that there isn’t action of the job involved with the story of OceanView but I thought the more human side is always more interesting to look at. How these different types of personalities react with one another, because everyone in this line of work has a very defined character. How the different kinds of stressors affect a person or what they see on the job. To me, that’s where the real story lies.   
 
RH:  What types of hero or heroine do you like best?

Grayson:  The kind of hero or heroine I like is the one with scars. The kind of person that may have had some kind of experience with whatever is going on in the story and it takes a constant facing of fears to get where they are at the conclusion. I think having a flawless hero at the beginning and ending with a flawless hero at the end is very flat and cookie cutter. If you want to draw your audience in, and you really want them to get involved with the book they are going to have to be able to relate with the character. Really feel the emotion of this character to keep them interested in the book. But you could also start off with a hero that chooses to accept their own reality but could become different by the end. I like something that shows a reflection of change for the character or the hero by the end of the story.   

RH:  Tell us about a typical day in your life as a writer.

Grayson:  A typical day for me involves a lot of brain storming. The Muse and I have conversations through out the entire day, and sometimes the characters will talk planer than others. Usually, when I started getting an idea then I let it play out for a little bit in my head. I am not real quick to jump and start writing immediately, because if you write the scene as quick as it comes to you, then sometimes you draw a blank after words..So the best advice I can give to anyone is let the idea brew for a bit. That’s what I do and when I have an idea then I write it down in the notebook that I typically carry on me. It would be similar to pulling a cake out of the oven too early before it was actually ready. I like to start the morning off with a warm cup of coffee or tea to get the ideas going. 

RH:  Do your books have a common theme or are they all different?

Grayson:  As a writer, I try to keep my ideas open to anything. I think as a writer, that if you try to limit yourself to what you want to write instead of opening up to what you CAN write you only set your own boundaries, and as a writer I don’t think that it’s good for anyone. Usually, I try to write realistic/fiction. Again, going back to the beginning when I mentioned that I try to write about possibilities that could potentially happen but haven’t yet. Though, on the next book that will be coming out I write about the paranormal. It’s a subject I’ve always wanted to write about and didn’t want to sound cheesey at doing. After I finished it and looked back, the entire story is very pleasant. I cannot wait to get it off to my editor so we can start getting the process going on that one.    

RH:  How long does it take you to write and then edit a story?

Grayson:  With OceanView, it has taken me almost six months to get it edited, the writing itself took me about eight years length to complete it. The newest story, took me about six months to write, and I haven’t started the edits on that one yet.   
 
RH:  Do you have to be alone to write?


Grayson:  Yes, I have to be alone to write or it seems I cannot get my thought process on track to get the idea going. I used to be able to write to music, but even now with that I find that I can’t write with music and that it has to be quiet in the room. To help with the process, as my laptop is booting up and getting prepped I will brew a warm cup of tea and settle in that way. Usually, with that cup of tea the ideas begin to flow quite nice. Usually, I can get out five to six pages in a night. Though, I don’t like to push the muse because she has a way of being nasty, but typically on a good night I like to get at least three pages written, more if the idea is flowing well. I don’t like to cut myself off in the middle of a scene or idea.   
 
RH:  How do you go about naming characters?

Grayson:  What’s interesting about me is that usually I get the concept of the character first, and then I get the name later. I can always see them in my head before they let me know there name. Some are more standoffish than others, but other times characters are very open about who they are and what their names are. I wrote a blog about character development and how I really look at my characters more as people than just fantasy people. By the end of my books, I have grown quite attached to all of them. The less desirables usually get there’s by the end. But all of my characters mean something to me and it’s always disappointing to say good bye at the end of the book.

RH:  Is it easier to write about the characters if you find pictures of them before you write or do you write then find character pictures?

Grayson:  Sometimes I have to research and find pictures for them. Other times, it’s simpler to just go by off what they look like in your head.   
 
RH:  How do you pick locations for your stories?

Grayson:  The locations in my stories really have to fit the scene well. Usually locations are places I’ve either been, had dreams about, or have seen on travels through the Northwest.

RH:  You're also working on future books that fall into paranormal. Tell us about those.

Grayson:  I don't want to give too much away but one story involves ghost because I love that side of the paranormal and another is quite different as it will be from a wolf's point of view. I'd love for your readers to visit my blog, my websites and connect with me on Twitter and FB. Thank you all for stopping in! Be sure to comment to be included in the drawing at the end.





Twitter:  @GraysonMichaels

CONTEST:  Grayson will be picking TWO winners, from those who comment, to receive an e-copy of OceanView when it is released so please leave your email addy and type of e-format.